make your own luck

Thursday, April 22, 2021


make your own luck (Ideology 2021)

 

Wet Ingredients:

Ink – Alcohol Espresso; Archival Distress Vintage Photo

Crayons – Distress Pealed Paint

Other – Collage Medium (matte); Embossing Dabber, Embossing Pen (brush), Fluid Retarder, Gesso (white)

Paint – Distress Ground Espresso, Pealed Paint

Dry Ingredients:

Tags –Etcetera Tags Small & #8

Foundations –Mini Clipboard

Paper – Backdrops (vol 2); Collage Tissue (entomology), Ephemera (expedition, and others), Kraft Stock (neutral), Layers (urban), Paper Dolls (singles), Scraps Worn Wallpaper

Embossing Glaze – Distress Antique Linen, Fossilized Amber, Hickory Smoke, Tattered Rose, Peeled Paint

Hardware – Adornments (lucky), Factory Tags, Gadget Gears, Gauge Frames, Hook Clasps, Industrial Gears, Machinery Heads, Mini Flair, Sprocket Gears, Tiny Clips, Vignette Hardware

Other – Remnant Rubs (specimen), Tiny Lights, Wooden Spools

Ribbon – Black Floral Wire, Eclectic Elements Thread

Tools/Equipment:

Other – Collage Brushers, Craft Paint Brush, Heat Tool, Media Mat, Palette (metal 6 well), Sandpaper, Steel Wool, Utility Knife


This whole project is glazed and glazed – most of the project is coated with Distress Embossing Glaze (glaze type 1), and most of this has been glazed over again with Distress Paint combined with a fluid retarder (painted glaze, glaze type 2).  I will be repeating the word “glaze” a lot, so I hope this doesn't get confusing.



The #8 Etcetera Tag was covered with a piece of the new kraft stock in a neutral grey, with pieces of entomology collage tissue applied along what will be the bottom edge and sides. Once dry this was covered completely with the Distress Embossing Dabber and coated with Hickory Smoke Glaze.




The small etcetera tag started with one of the backdrops from volume 2 featuring the gear blueprint and was layered with a small collage of ephemera (I love to give projects the pointy finger—my absolute favourite piece of ephemera).  The whole thing was coated with collage medium, I always ensured lots of brushy strokes show, it adds texture and little places for the painted glaze (details on how this is made below) to catch and pool. The edges of everything paper here are scuffed with sandpaper and inked with Vintage Photo Distress Archival.


I would like to let you know that my original intention was to attach an ideology clipboard clip to this base tag directly, with the #8 clipped under it, and it would have revealed this little collage… until the moment I knew I had to use this certain piece of Worn Wallpaper Scraps (one thing changed everything), so the clip became a clipboard.



The base of the clipboard was covered with Worn Wallpaper Scraps, this layer was covered with another backdrop (vol. 2) which was torn on the edge to expose my favourite little bit of the Worn Wallpaper (I only wish there were more of these text edges in the package).  The whole thing was coated with collage medium (lots of brushstrokes showing) and once dry, the surface was dabbed with some of the paint glaze, in several layers.  The ‘ring’ stains were created using Espresso Alcohol Ink, running the ink nozzle along the lid and using the lid as a stamp to create the circles; a couple of these were misted with water while they were still wet to remove the exactness or sameness of the circles.



In trying to maintain a limited and dingy colour palette, the ephemera and mini flair pieces were glazed in a few alternating layers of Antique Linen and Fossilized Amber Embossing Glaze, until they closely resembled the tones already layered on the clipboard, made matte with a little more steel wool.



Machinery Heads, Sprocket Gears and Gadget Gears were combined to mimic the shapes found in the new and crazy amazingly detailed levels of the Industrial Gears.


      

Faux Galvanized Metal

I first did this technique for Creativation 2020, when the Embossing Glazes were shiny brand new! (see photos above)

 

  • 1.       Ideology pieces get a rough coat of white gesso—randomly thick and thin is all good.
  • 2.       Gesso is haphazardly removed using steel wool—keep lots of white in crevasses.
  • 3.       Ideology pieces are coated with Embossing Dabber, use a paintbrush to get in the nooks and crannies.
  • 4.       Apply Hickory Smoke Embossing Glaze and heat set.
  • 5.       While metal is still hot and heat tool running keep adding pinches of Embossing Glaze to build up darker areas (this was a little tricky with the Mini Hardware Pulls* &Mini Pulley Wheels* and Hook Clasp, and easy-peasy with the Vintage Clip* and with the gears and gauge frames
  • 6.       Let cool. They stay hot for longer than you might think.

*pictured as part of the Creativation sample (photos above), not in this project.


The metal Ideology pieces are glazed using the Faux Galvanized Metal technique (apart from the Lucky-Adornment and Tiny Clip) and matted with some steel wool.


      

      



The Factory Tag digit “7” was filled in with Peel Paint Distress Crayon and tied to the clipboard clip using floral wire. The clip was dabbed with a drop of Espresso Alcohol ink on a felt applicator. At the same time, this alcohol ink was dabbed on the Tiny Clip.


The “Paint Glaze”

Mix 1 drop of Ground Espresso Distress paint with 5 drops of fluid retarder—make multiple batches as needed. I don’t recommend doubling up the ratios.


      


The addition of fluid retarder instead of just diluting with water causes several crafty things to happen:

  • 1.       The open or working time you have to layer is well over an hour.
  • 2.       While it is still wet the pigments in the paint settle and you can see how and where they are pooling.
  • 3.       You can keep adding layers to darken the colour without visible paint rings or water lines.
  • 4.       There is lots of time to wipe away anything you do not like the look of and start again.
  • 5.       It looks like really old greasy, gunky, grungy goodness


Once the all the Ideaolgy pieces we glued to the #8 tag; a little more Paint Glaze was dabbed around the edges of the pieces to make them appear more homogenous with the tag.



The biggest drawback is that it will take overnight to fully cure what little paint is actually there and be dry enough to handle. Once dry if you sand with sandpaper or rub with steel wool, where the paint is very thin you get great chipping and flaking (best seen on the Gauge Frame)



This Paper Doll from the Solos package was originally set aside for another project idea I had but, when I saw that arm and that hand were in the perfect position to 'pull the stings in making his own luck'… he was quickly reassigned.  Using the Distress Embossing Pen with the felt tip he was coloured using Distress Embossing Glaze in sections; the white portions of his suit were glazed first using Peeled Paint, his face, and hands next using Tattered Rose, and lastly, the rest of him was glazed with Hickory Smoke.  The slight bleed between the two lighter colours made me incredibly happy.  With a little steel wool, he was made to look matte.  The Lucky-Adornment was Dabbed with a little Peeled Paint Distress paint and some Espresso Alcohol ink to finish.




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4 comments:

  1. So so so so so so cool!
    Alison x

    ReplyDelete
  2. A fabulous tag Vicki and great tutorial, thank you! x

    ReplyDelete
  3. So fabulous. My favorite make! I pinned of course.

    ReplyDelete
  4. this is awesome - so many tips on how you create the metal pieces. Love the use of that wallpaper strip on the right side. Just perfection.

    ReplyDelete

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